Bruno Mendes on the need for unconventional convention centres to unlock the potential of place.
Designing tomorrow’s convention centres goes beyond mere efficiency – it’s about adaptability, value, and experience. From integrating new revenue streams and optimising operations to meeting the expectations of the most tech-savvy delegates, these spaces must flex and re-adapt to suit operator and conference organiser needs. Convention centres must be dynamic platforms that anticipate change, drive engagement, and create lasting value. Above all, convention centres must engage with the specific qualities of place, culture and community in the places they serve. Failing to address these vital elements is a tragically missed opportunity that risks leaving these spaces disconnected, underutilised, and out of step with the evolving needs of the people they are built to aid.
It’s helpful to think about convention centres being the ‘living rooms’ of the cities they are placed within. A great living room is a space where ideas are easily exchanged, relationships bloom, and the identity of the occupant is reflected. Just as a well-designed living room balances comfort and function to bring people together, a convention centre should do the same at an urban scale, creating opportunities for both planned and spontaneous interactions. When done right, they become a true extension of a city—open, engaging, and essential to its cultural and economic life.
As powerful drivers of tourism, convention centres must promote what the city has to offer in inviting ways. With conference organisers becoming more selective, venues that offer authentic experiences that are unique to their area are coming out on top. A well-designed centre doesn’t just host events—it encourages longer stays, return business, boosts local businesses, and immerses visitors in the city’s unique character. Whether for local or international audiences, these spaces must deliver an experience that is authentic, place-driven, and unforgettable.
At Te Pae Christchurch Convention Centre, we sought to create a civic living room. Open, fluid spaces encourage both planned gatherings and spontaneous encounters, while the form and materials – shaped by the braided rivers and local cultural narratives – reflect Christchurch’s unique identity. The architecture does more than accommodate events; it gestures toward connection, fosters engagement, and offers a place where the city might see itself reflected.
Adelaide Convention Centre
“A great living room is a space where ideas are easily exchanged, relationships bloom, and the identity of the occupant is reflected.”
Nyaal Banyul Geelong Convention and Event Centre
Dubai Exhibition Centre
Brisbane Live Masterplan
We can think bigger. Most convention centres today are designed purely to serve the calendar of events or the base business case scenarios they are initially conceived in, having little regard for a broader precinct strategy of placemaking and activation. Instead, there needs to be a shift away from the status quo whereby significant investments in civic architecture sit quiet and lifeless when there is no conference or major event being held.
With a thoughtful placemaking approach, convention centres can become truly independent destinations beyond their core role of conferencing. By serving a broader spectrum of users—not just conference delegates—and incorporating open spaces for gathering, networking, and daily use, these precincts can remain active year-round. Intelligent design can turn convention centres into catalysts for urban energy, strengthening the connection between people and place, while balancing out the downturns in the events calendar.
At the Melbourne Convention and Exhibition Centre (MCEC), open, flowing spaces invite both planned gatherings and spontaneous encounters, from informal meetings to café conversations, connecting seamlessly with the Yarra River and the surrounding Southbank precinct. These spaces allow MCEC to function as a 24/7 destination, remaining active and engaging even when no major events are underway, giving Melbourne a venue that contributes daily to the city’s energy and life.
Te Pāe Christchurch Convention Centre
“Intelligent design can turn convention centres into catalysts for urban energy, strengthening the connection between people and place, while balancing out the downturns in the events calendar.”
Horizon Centre Concept, Maroochydore
Convention centres have long followed predictable patterns, shaped by their local markets and event calendars. While their fundamental design and operation have remained largely static, today’s competitive landscape demands innovation and differentiation.
Through our partnerships with operators and conference organisers, we’re witnessing a shift in how venues approach the delegate experience. The traditional conference centre model is evolving across multiple dimensions:
Event spaces are moving away from rigid, lecture-style setups toward flexible environments that foster interaction. Smart building technology and IoT solutions are replacing conventional infrastructure, while social media integration has become essential rather than optional. At Nyaal Banyul Geelong Convention and Event Centre, event spaces are designed to breathe. Rigid lecture halls give way to flexible, flowing environments, where configurations shift effortlessly and interactions emerge naturally. With sweeping views of Corio Bay, each space encourages connection and conversation, fostering engagement beyond the formal agenda.
Adelaide Convention Centre’s flexible auditoriums
The modern convention centre embraces adaptability, with spaces designed to accommodate multiple concurrent events rather than single-purpose uses. Flexibility is at the heart of Nyaal Banyul. Spaces are crafted to accommodate multiple events at once, yet each retains a sense of intimacy and purpose. The design anticipates change, allowing the venue to adapt gracefully to diverse needs and sustain its vibrancy regardless of the calendar.
Chandler Indoor Sports Centre Concept. Chandler, Australia
Sustainability has emerged as a core priority, driving changes in everything from lighting schedules to comprehensive waste management strategies. Revenue generation has expanded beyond traditional sources to encompass the entire facility’s potential. Developed specifically for the project, the 25,000 ceramic tiles that make up Nyaal Banyul’s façade are both expressive and performative. Their geometry refracts and diffuses light, creating a kinetic surface that responds to the bay’s changing atmosphere. This interplay of opacity and translucency does more than define appearance – it moderates temperature, enhances comfort, and reduces energy use, embedding sustainability within the building’s very identity.
Melbourne Convention & Exhibition Centre sustainability diagram
Perhaps most significantly, operational efficiency has taken centre stage as venues recognise its dual impact on sustainability and profitability. This holistic approach to modernisation reflects the industry’s broader evolution toward more sustainable, efficient, and engaging event spaces. As a piece of civic infrastructure, Nyaal Banyul redefines efficiency as responsiveness. Smart building systems, renewable energy sources, and passive design strategies work in concert with a material language drawn from the site itself. The result is an architecture that mediates between past and future, environment and city—performing quietly but purposefully to sustain both people and place.
So many conference experiences are internalised and inward focused with little amenity or respite for the delegates within – it’s as if they have been designed from the inside out where-by technical requirements of what we call the ‘BIG BOX’ are prioritised over experiential values.
Instead, our approach is always ‘place first.’ In other words, we look for physical and visual connections to the city, find moments of respite and introduce much needed amenities – typically beyond what is conceived during business case proposals – to improve the conference and delegate experience. We invert the ‘BIG BOX’ and allowing the qualities of city in.
“We need to challenge the status quo and create a new global destination where people come to discover, share, and experience a city.”
Bruno has experience spanning urban master planning through to the design and delivery of civic institutions across multiple building typologies. He brings together creative thinking and practical attention to detail to develop strong design outcomes, balancing imaginative problem-solving with the rigorous detail work needed to realise complex projects.
His portfolio includes major civic and cultural projects such as the Melbourne Convention & Exhibition Centre (Stages 1 and 2), Te Pāe Christchurch Convention & Exhibition Centre, Nyaal Banyul Geelong Convention & Event Centre, and Tarrkarri – Centre for First Nations Cultures in Adelaide. Bruno has also led projects in education and sports infrastructure, including the University of Tasmania Southern Futures Forestry Building, Deakin University Building I Lecture Theatre, and the Albert Park Pit Building.
His work has been recognised through architectural awards and publications, including a World Architecture Festival award, AIA Industry Awards, an exhibition at the Venice Biennale, and a showcase at the National Gallery of Victoria’s ‘Melbourne Now’. Bruno also maintains an active role in design education, sharing his knowledge and research through lecturing and tutoring the next generation of designers.
Tess is Woods Bagot’s Global Insights and Communications Leader. Passionate about clarity, relevance and the creation of genuinely interesting content, Tess works with our innovators to create insights on the future of design, as applied to its impact on how we live, work, travel, play, learn, stay healthy and anything in-between.
See Woods Bagot’s Insights for more.
Melbourne, Australia
London, United Kingdom
Brisbane, Australia
Adelaide, Australia
Xiamen, China
Dessau, Germany